![]() ![]() For at least 12 years after its publication, the "Maple Leaf Rag" heavily influenced subsequent ragtime composers with its melody lines, harmonic progressions or metric patterns. The ragtime composer Scott Joplin became famous through the publication in 1899 of the "Maple Leaf Rag" and a string of ragtime hits such as "The Entertainer" that followed, although he was later forgotten by all but a small, dedicated community of ragtime aficionados until the major ragtime revival in the early 1970s. Ragtime was also a modification of the march made popular by John Philip Sousa, with additional polyrhythms coming from African music. Ernest Hogan was an innovator and key pioneer who helped develop the musical genre, and is credited with coining the term ragtime. Louis and New Orleans years before being published as popular sheet music for piano. It began as dance music in the red-light districts of African American communities in St. ![]() ![]() Its main characteristic trait is its syncopated, or "ragged," rhythm. They include the release of new recordings, the formation of ragtime societies and clubs, oral history projects, various publications, and live stage and television performances.Ragtime Ragtime is a musical genre that enjoyed its peak popularity between 18. The popularity of ragtime began to wane by the first decade of the 20th century, but there have been various revival efforts since the 1940s. As leader of the all-Black 369th Infantry “Hellfighters” Band, he began ragging the melodies and applying instrumental techniques that varied the timbre (as in “Memphis Blues,” 1919). James Reese Europe also introduced the ragging style and a new sound to US military bands. Joplin’s “Maple Leaf Rag” was widely performed by pianists and instrumental ensembles and led to ragtime as a standard in the repertoire of many society bands, such as Clef Club Orchestra. The success of his “Maple Leaf Rag” (1899) and others that followed placed Joplin squarely in the American mainstream as a ragtime composer. ![]() Scott Joplin, dubbed “The King of Ragtime Writers” by his contemporaries, is the best-known composer of ragtime. Tom Turpin’s “Harlem Rag” (1897) is the first ragtime song published by an African American. Many songs commercially marketed under the ragtime label were not of this tradition. The broader society became acquainted with ragtime only after it appeared in print form and publishers targeted the white middle-class and upper-class piano players as its consumers. The term later became associated with a rhythmic way of playing any written score or pre-existing melodies. Printed versions of ragtime simplified the improvisatory quality of the original style, which changed the organic character of the tradition. Ragtime describes songs and social dances (such as the cakewalk) that presented stereotypical representations of African Americans in the late 1890s and early 1900s, as well as the syncopated style of instrumental music. Beginning in 1897, ragtime became available in a written tradition when African American ragtime players and their white counterparts began transcribing and writing original rags to be published and sold as sheet music. Itinerant African American musicians developed ragtime as a playing style of music spontaneously created while performing in brothels, saloons, bars, and other venues where they played after the Civil War. ![]()
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